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Up At 6
Up at 6 in bright sun--waking Jenny who shut off her alarm and went back
to sleep. A quick soaping and hosing down in the tub; cooking wheat germ-and-spice-coated
liver, onion rings and broccoli--putting it in my plastic box secured
with rubber bands, and that in a plastic bag with a twist-tie. Making
coffee--filling a blue thermos and having a cup at home as I get ready
to go out. Seeing Jenny off about 6:10. Deciding not to take my little
"personal portable" and tapes--none I particularly wanted to
hear. Tying my coat on my rat-trap and swinging out onto the sunny streets
under the bright green-leafed trees.
My calling is to exalt! Never you mind! I heard it across
the distance from my soul to my body. That distance of purgation and scouring.
And of hilarious creation. And of emotion through a proper vessel/instrument
in full strength, vast subtlety and natural beauty: the delivery of the
myth-world up in music and music-words, drawn by some ineluctable and
marvelous entelechy. This on $350 a month from the fat of North America,
in the free garden of earth amid big magnolia blossoms filled to the brim
with sunshine, atop grass sharp-green and soaked, tipped and hung with
tiny sun-lumed crystal balls of condensation, amid much birdsong and the
arising of 7 AM traffic. In cutoffs only, to be rolled and wrought by
the sun, to be worked by a tree-trunk in the back and spine, to a crow's
call in a green freshness of profuse bushes. With a book to read, and
this one to write, rising up ahead of me. A broad open road up the high
hill of summer in my thirties.
Strong, solid round muscles on my legs. Cold darkness,
difficult unprocessed moments of my birth come out of my armpits in sweat,
out of my forehead to cool and aireate my thoughts as they've been coming
naked to the garden. The "outside world," "this" world
is my aim-- living theatre--the biosphere and noosphere-- the shared visions
of humans and animals expressed physically, smelled, inhaled, anointed
with, eaten. Out here is where my seeds send green shoots--out here cookings
in the crucible crystallize--all inspired work is testament--that much
labor preceded it is immaterial. The labor must have been applied round
an ear or eye attuned to know the truth when it is seen.
I became brown as a Spaniard; brown as an Indian outdoors
in the sun: I know a heaven where the Virgin Mary wears sky-blue gypsy
skirts, is promiscuous in her love, and her sexuality is celebrated by
every god in sight. The Great Spirit: I inhaled it; re-strung my bones
with its worldly influences. A four-brained, protein-based biocomputer
and its metaphysical programmer today in the organic processes of nature.
This dew, now sublimating though a thin crust of cloud tempers the sun,
is the crushed and pulverized dust of all my mirrors--it is the dazzled
decentralization of Vision. "My" vision, the "my"
a conveyance process. A fly just landed on the word "cookings,"
and laved its hands like a micro-surgeon.
As I expand, the phenomenal world attains to a mystically
beautiful conciseness--each thing has a cutting edge--whether the toy-like,
caricaturesque structures made by humans, or the molecular architecture
of natural structures, alive--green grass blades exposed, expressed in
their supple tensional equilibriums.
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